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Luggage Behind The Baubles
Later this month, the glittering baubles and watches that line cases in Cartier’s boutiques might be competing for the highlight with Marcello de Cartier baggage.
Marlin Yuson, creative director for Cartier leather-based goods, admits jewellery and watches are at all times going to be ferragamo resosrt in tuscany italy the primary event. ‘The luggage are the supporting forged but an vital character,’ says the designer, who has worked with Ferragamo, Polo Ralph Lauren and Calvin Klein, and spends her time between Florence and Paris.
The truth that the brand is just not known for its leather-based items has long represented a problem for Yuson. ‘In a method we are battling a common perception of the model. Most individuals don’t realise that Cartier does leather-based baggage,’ she says. ‘If you happen to weren’t part of a technology that knew that Cartier did leather merchandise, then the Marcello baggage would come as a shock. I nonetheless get that, even after 10 years with the brand. There is not any bag campaign and there won’t be. The leather goods are part of the household, however they’re going to never be impartial products.’
Yuson says Cartier luggage were considered ‘it’ baggage within the ’70s and ’80s, modelled by celebrities resembling Tina Turner. ‘Then it stopped. Cartier did other dressy baggage but very, very basic baggage. And then the entire handbag accessories craze took over.’
When designing the Marcello, Yuson knew what a contemporary bag ought to – or fairly, shouldn’t – be. ‘I really don’t see it as an ‘it’ bag, not something as ephemeral as what’s in development,’ she says. ‘I did not need it to be too old-fashioned and seem like a relic, both. I didn’t need to stay a panther or leopard on it; that can be too simple. I have not put in animal prints, either, but. And it’s really not for ‘ladies who lunch’.’
Yuson decided to take care of the onerous corner of Cartier’s earlier baggage. ‘I needed to maintain that iconic bookend kind of arch. The baggage wanted quantity and pockets to be practical for the lady on the go.’
Yuson says that she doesn’t have a selected muse but she’d love to see Alexa Chung or IMF chief Christine Lagarde carrying her luggage. ‘Robust, confident, influential ladies who didn’t sacrifice their femininity of their enterprise,’ she says. ‘Girls on the transfer, who’ve youngsters, or are working … they’re the ones I hope will embrace the bag, for its practical functions.’
The Marcello is a big bag with the interlocking Cs logo that might be joined in shops with a sequence of evening clutches in September.
Cartier’s first night bag got here out in 1906. ‘Initially, the night luggage had ferragamo resosrt in tuscany italy been very a lot about jewellery,’ says Yuson. ‘The finishings on the bags had been precious, and the baggage themselves were one-off items for royalty and unique order prospects.’
She says that when she was creating the designs, she carried the luggage round during her travels to observe their functionality.
‘Translating the Cartier bag to the current and holding that identity – that luxurious feel to it – is hard, especially the place there are so many style manufacturers around,’ she says. ‘I caught to a family of colours to keep it coherent: crimson and black, tobacco or cognac.’
The first inspiration for the luggage got here from the materials, she says.
‘Looking at the standard, texture and colours, concepts come to mind,’ says Yuson. ‘Even something as trifling as a buckle turns into a starting point. Texture is absolutely essential.